Frame
#1 |
 |
FADE
IN: |
Frame
#2 |
 |
EXT.
BASEMENT FLAT - MORNING
We
see a tall slim black man called Claude walking out of a basement flat.
He shuts the door. |
Frame
#3 |
 |
He
turns around. |
Frame
#4 |
 |
Then
he puts the key into the keyhole. |
Frame
#5 |
 |
Once
he checks that the door is shut, he turns and starts to walk away putting
the key into his right trousers pocket. |
Frame
#6 |
 |
The
key accidentally falls out onto the floor. |
Frame
#7 |
 |
As
Claude is walking away he sees a neighbour called Wayne. |
Frame
#8 |
 |
CLAUDE
Good Morning. |
Frame
#9 |
 |
WAYNE
Good Morning. |
Frame
#10 |
 |
As
they walk pass each other, in the distance we see the back of a young man
called Mohammed watching everything unfold in front of his eyes. |
Frame
#11 |
 |
As Claude walks away from his basement flat, Mohammed quickly takes this
opportunity to hurriedly run across the road. |
Frame
#12 |
 |
He
sees the keys on the floor. |
Frame
#13 |
 |
Mohammed
bends down and pick up the keys. |
Frame
#14 |
 |
Looking
around him nervously, Mohammed quickly walks away from the scene. |
Frame
#15 |
 |
FADE
OUT: |
Frame
#16 |
 |
FADE
IN:
EXT.
WESTWAY WALL - DAY
We
see the camera slowly moving down from some buildings in the distance. |
Frame
#17 |
 |
Eventually
it reveals Mohammed talking to his friend called Clive on a wall. |
Frame
#18 |
 |
MOHAMMED
Hey what's happening Clive? |
Frame
#19 |
 |
CLIVE
(Smoking a cigarette)
Everything's cool. So what's the mission for
today. |
Frame
#20 |
 |
MOHAMMED
Hey Clive I found some keys today for a yard down
Freston Road and the guys not their because I see him leave this morning.
That's the mission. What! Are you on it. |
Frame
#21 |
 |
CLIVE
(Smoking a cigarette)
Yeh man, how you mean, of course I'm on it. |
Frame
#22 |
 |
MOHAMMED
O.K, well I got a tool with me, so if it comes on
top he's getting it. |
Frame
#23 |
 |
Mohammed
takes out a knife from his inside jacket pocket and shows it to Clive who
looks a little shocked. |
Frame
#24 |
 |
CLIVE
(Smoking a cigarette)
Hey, your serious?
MOHAMMED
(Nods head towards Clive)
Of course I'm serious, are you ready?
CLIVE
(Throws cigarette onto floor)
Come we go rude boy. |
Frame
#25 |
 |
We see Mohammed and Clive jump off the wall and start to walk away from
the scene.
DISSOLVE
TO:
|
Frame
#26 |
 |
EXT.
FRESTON ROAD - DAY
We
see Mohammed and Clive walking down Freston Road. Clive is looking very
nervous. |
Frame
#27 |
 |
CLIVE
Are you sure theirs nobody in the yard?
MOHAMMED
Yes of course man, why do you keep asking me questions?
Are you scared or something? |
Frame
#28 |
 |
CLIVE
No man, how you mean. I just want to make sure nobody's
their. |
Frame
#29 |
 |
MOHAMMED
Just cool man, everything is under control. |
Frame
#30 |
 |
They
start to approach a basement flat and Mohammed goes into his trousers pocket
to take out some keys. |
Frame
#31 |
 |
When
they approach the flat Clive is looking around suspiciously. |
Frame
#32 |
 |
Mohammed
puts the key in the keyhole and turns the key. |
Frame
#33 |
 |
The
door slowly opens and Mohammed and Clive creep inside, slightly leaving
the door open. |
Frame
#34 |
 |
From
a distance we see the neighbour Wayne looking at everything that is going
on. |
Frame
#35 |
 |
He
takes out his mobile from his jacket and starts to dial 999. |
Frame
#36 |
 |
WAYNE
Hello, can I speak to the Police please.
CUT
TO: |
Frame
#37 |
 |
INT.
BASEMENT CORRIDOR - DAY
We
see Mohammed and Clive slowly creeping through a corridor until they approach
a door which has a little window. |
Frame
#38 |
 |
As
they approach the window to his horror, Mohammed looks through the window
to see the back of Claude sitting around a computer in an office. |
Frame
#39 |
 |
CLIVE
(Whispering)
I thought you said that nobody was in! |
Frame
#40 |
 |
MOHAMMED
(Whispering)
Shut up man, let's do this. |
Frame
#41 |
 |
Mohammed
takes out his knife and burst open the door.
CUT
TO: |
Frame
#42 |
 |
INT.
OFFICE - DAY
As
the door flies open, |
Frame
#43 |
 |
Claude
quickly jumps out of his seat and turns around to see Mohammed holding a
knife and Clive looking serious. |
Frame
#44 |
 |
CLIVE
Where's the Money? |
Frame
#45 |
 |
MOHAMMED
(Pointing knife)
Don't Make me have to hurt you! |
Frame
#46 |
 |
CLAUDE
(Scared)
What's going on. I don't have any money. |
Frame
#47 |
 |
MOHAMMED
(Shouting)
Shut up and turn around. |
Frame
#48 |
 |
Claude
slowly turns around and Mohammed takes out some rope from his jacket. He
ties it around the wrist of Claude. |
Frame
#49 |
 |
MOHAMMED
(aggressive)
Get on the floor. |
Frame
#50 |
 |
Claude
gets onto the floor facing downwards. Mohammed walks to the front of Claude
and bends over him. |
Frame
#51 |
 |
CLAUDE
What have I done for you to do this to me? |
Frame
#52 |
 |
MOHAMMED
(aggressive)
Shut up and open your mouth! |
Frame
#53 |
 |
Claude
is reluctant to open his mouth so Mohammed squeezes his jaw to force it
open. As it opens, Mohammed puts a bundle of socks into his mouth. |
Frame
#54 |
 |
MOHAMMED
That will keep you quiet. |
Frame
#55 |
 |
Mohammed
and Clive start searching through the office trying to find something of
value. |
Frame
#56 |
 |
Mohammed
checks out a filling cabinet. |
Frame
#57 |
 |
As
he is searching, he finds some money. |
Frame
#58 |
 |
He
quickly puts it into his jacket pocket and looks around to make sure that
Clive hasn't seen him. |
Frame
#59 |
 |
He
gets up and goes to another part of the office.
CUT
TO: |
Frame
#60 |
 |
EXT.
BASEMENT FLAT - DAY
We
see a Police man slowly walking towards the basement door. |
Frame
#61 |
 |
As
he looks down he sees that the door is slightly open.
CUT
TO: |
Frame
#62 |
 |
INT.
OFFICE - DAY
Clive
sees a gold cup on the window sill. |
Frame
#63 |
 |
He
quickly takes it and picks it up. |
Frame
#64 |
 |
CLIVE
(Happy and smiling)
Hey Mohammed, look what I've found! |
Frame
#65 |
 |
MOHAMMED
(looking at Clive)
Yes Clive, that's wicked. Put it in the bag over
their. |
Frame
#66 |
 |
Mohammed
points towards a bag which is in the corner of the room. |
Frame
#67 |
 |
CLIVE
(smiling)
Yes rude boy. |
Frame
#68 |
 |
Clive
makes his way towards the bag. |
Frame
#69 |
 |
When
he gets to the bag he opens it up.
CUT
TO: |
Frame
#70 |
 |
INT.
BASEMENT CORRIDOR - DAY
We
see the Police man walking down the corridor. |
Frame
#71 |
 |
As
he approaches the door he looks through the window to see Claude on the
floor and Clive and Mohammed searching threw the office. |
Frame
#72 |
 |
He
slowly takes out his gun and then quickly opens the door.
CUT
TO: |
Frame
#73 |
 |
INT.
OFFICE - DAY
The
door flies open and we see a Police man pointing a gun and a badge towards
Mohammed and Clive's direction. |
Frame
#74 |
 |
POLICE
MAN
Freeze. Nobody move! |
Frame
#75 |
 |
Mohammed
and Clive look shocked and stop what they are doing. |
Frame
#76 |
 |
POLICE
MAN
Put your hand on your heads. |
Frame
#77 |
 |
Clive
puts his hands up. |
Frame
#78 |
 |
Mohammed
quickly puts his hands on his head. |
Frame
#79 |
 |
They
slowly look at each other. |
Frame
#80 |
 |
FADE
OUT:
THE
END |