Frame #1 | ![]() |
FADE IN: INT. CAR - MORNING It is a hot summers day and the camera is pointing towards the radio which is on but very low. Suddenly We hear a man's voice shouting but you do not see the face.
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The camera slowly pans up to see a man sitting in the drivers seat with a mobile phone by his right ear. He has dark shades on and a gold bracelet. Mr David Sutton is a big fat man in his middle thirties who lives the life of a villain. He is sitting back in his seat with his left hand on the staring wheel and the other hand is holding the mobile phone by his right ear, as if he is in a posing position. David is driving with the window down on a back street shouting loudly. DAVID
SUTTON
CUT TO: |
Frame #3 | ![]() |
EXT. TELEPHONE BOX - MORNING We see a young tall man in his early twenties standing in a telephone box opposite a pub looking very worried. His name is called Frank Ling who sells drugs on the streets.
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His hair is looking very rough and he hasn't shaved for a few days. His clothes look dirty and he his smoking a cigarette. FRANK
LING
DAVID SUTTON (V. O.) Everything goes silent and you can hear the radio from the car in the background playing.
DAVID SUTTON (V. O.) FRANK
LING |
Frame #5 | ![]() |
As
Frank is turning towards the pub he sees David Sutton driving towards
him and then turns into the pub car park.
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Frame #6 | ![]() |
Frank's eyes open wide and he quickly turns his back towards the pub car park. CUT TO:
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Frame #7 | ![]() |
INT. CAR - MORNING DAVID
SUTTON
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Frame #8 | ![]() |
David hangs up the phone and gets out of the car. CUT TO:
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Frame #9 | ![]() |
EXT. CAR PARK - MORNING He shuts the door and pushes the key in the lock to close it.
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He then starts to walk towards the pub entrance. CUT TO:
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INT. TELEPHONE BOX - MORNING Frank Ling sees David shutting his door and walking off.
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We see his eyes start to squint as he looks left, right and then back at David's car again. Frank opens the door and walks out of the telephone box. CUT TO:
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EXT. NORTH POLE ROAD - MORNING He walks up to the pavement and waits for the oncoming traffic to clear before he quickly runs across the road and towards the car park. CUT TO:
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Frame #14 | ![]() |
EXT. PUB CAR PARK - MORNING We see Frank Ling entering the car park and walking towards David's car.
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Frame #15 | ![]() |
When he gets to the car he takes out a small piece of a coat hanger and starts to push it down through the gap in-between the window seal. After a few seconds of him moving his hand around he manages to open the door and quickly gets in the car. CUT TO:
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Frame #16 | ![]() |
INT. PUB - MORNING David Sutton is sitting down by himself reading the newspaper and has a pint glass in front of him which is nearly empty. He puts down the paper and picks up the glass. He puts the glass to his mouth and finishes his drink before getting up from the table and making his way back to the car park taking the newspaper with him. CUT TO:
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Frame #17 | ![]() |
INT. CAR - MORNING Frank is looking around to check that no one is looking and then puts his hands underneath the staring wheel and manages to find two wires which he rubs together to create an electric circuit that starts the car. CUT TO:
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Frame #18 | ![]() |
EXT. NORTH POLE ROAD - MORNING Frank then quickly drives out of the car park and down the road. CUT TO:
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EXT. CAR PARK - DAY When David is looking around frantically, I would like that as a hand held POV shot. David Sutton enters the car park and is looking at the spot where he last parked his car. He realises that his car is not there and starts to look around the car park frantically. He knows that his car has been stolen and throws down the newspaper angrily. He starts to shake his head from left to right and walks back into the pub. FADE OUT: |
Frame #20 | ![]() |
FADE IN: INT. FRANK'S LIVING ROOM - DAY Cigarette smoke should be back lit to get good effect. There should be a coat rack in the background with Frank Ling's jacket on it. We see Frank sitting on a chair watching television with both his feet up crossed on the table smoking a cigarette. The room is fairly bright and there is a home phone and an astray on the table beside Frank's crossed legs. He quickly takes his legs off the table and stands up. He pushes his right hand in his right trouser pocket and takes out some coins which he slams onto the table. He then gets his left hand and pushes it into his left trouser pocket and takes out a piece of paper with a name and telephone number on it. He picks up the phone and puts it to his right ear, dialling at the same time. After ten seconds someone picks up the phone at the other end.
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Frame #21 | ![]() |
FRANK
LING Frank pauses for a few seconds. FRANK
LING
Frank pauses for a few seconds. FRANK
LING Frank pauses for a few seconds. FRANK
LING
Frank puts down the phone and smiles to himself nodding his head up and down. He turns around and walks towards the coat rack where his jacket is hanging. Frank grabs his jacket and walks out of the room. FADE OUT: |
Frame #22 | ![]() |
FADE IN: EXT. GARAGE - EVENING We see Frank Ling parking the car outside the garage. He gets out of the car and walks inside the building. DISSOLVE TO:
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Frame #23 | ![]() |
INT. GARAGE - EVENING I Would like the shot to start off wide and then tracking into an extreme close-up of the hands on the money. A bit like lock stock and two smoking barrels. We see a short man in his early forties called Bob Cook handing over money to Frank Ling. DISSOLVE TO:
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Frame #24 | ![]() |
EXT. GARAGE - EVENING We see Frank ling walking out off the garage with a smile on his face. He turns and walks towards the train station. FADE OUT:
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FADE IN: INT. CAFE - DAY Maybe we could do a crane shot to slowly reveal David Sutton sitting at the table. When Frank enters the cafe I would like to see a mid shot of David Sutton looking at his watch, cut to an extreme close up of the watches face which should read 12:00PM.
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Frame #26 | ![]() |
We see David Sutton sitting at a table near the door reading a newspaper. Shortly after we see Frank Ling entering the cafe. As soon as Frank takes one step in the cafe David's head slowly starts to look up in the direction of the door. David and Frank both make eye contact and then David gives Frank a slight node with his head and his face looks very serious. Frank walks over to David's table with a smirk on his face. You can see every step of Franks foot movement in slow motion. He eventually arrives at the table and site's down opposite David. FRANK
LING DAVID
SUTTON
FRANK
LING
DAVID SUTTON It goes quiet for two seconds. Frank is looking nervously at David DAVID
SUTTON |
Frame #27 | ![]() |
FRANK
LING DAVID
SUTTON
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Frame #28 | ![]() |
I would like the camera to be pointing straight up. We see Frank Ling handing over the money to David Sutton underneath the table.
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Frame #29 | ![]() |
Once Frank hands the money over to David, he gets up straight away looking at David. DAVID
SUTTON
Frank doesn't say a word and turns towards the door and walks out of the cafe. After ten seconds David reaches into his inside jacket pocket and takes out his mobile phone. He starts to dial a number and then puts the mobile phone to his right ear. We hear the phone ringing. CUT TO: |
Frame #30 | ![]() |
INT. GARAGE - DAY Bob Cook is working on a car when he hears the phone ringing in the office. He stops what he is doing, walks into the office and answers the phone on the desk. CUT TO:
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Frame #31 | ![]() |
INT. GARAGE OFFICE - DAY BOB
COOK CUT TO:
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Frame #32 | ![]() |
INT. CAFE - DAY DAVID
SUTTON CUT TO:
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Frame #33 | ![]() |
INT. GARAGE - DAY BOB
COOK CUT TO:
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Frame #34 | ![]() |
INT. CAFE - DAY DAVID
SUTTON CUT TO:
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Frame #35 | ![]() |
INT. GARAGE - DAY BOB
COOK
CUT
TO:
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Frame #36 | ![]() |
INT. CAFE - DAY DAVID
SUTTON
David hangs up the phone and puts it back into his inside jacket pocket. He then gets up from the table, picking up his newspaper and leaves the cafe. FADE OUT:
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Frame #37 | ![]() |
FADE IN: EXT. GARAGE - EVENING We see David Sutton approaching the Garage. When he gets to the door he looks around and then walks inside CUT TO:
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Frame #38 | ![]() |
INT. GARAGE - EVENING David enters the garage to be greeted with a hand shake from his friend Bob Cook. DAVID
SUTTON
BOB
COOK
DAVID
SUTTON
BOB
COOK DAVID
SUTTON
BOB
COOK
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Frame #39 | ![]() |
David's face changes to one of curiosity and deep thought. He follows Bob Cook to where the car is parked. The car has a dust sheet covering it's identity. When Bob cook takes off the dust sheet David Sutton notices that the number plates have been taken off. He takes a close inspection on the car and realises that it is his previous car that was stolen the day before.
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Frame #40 | ![]() |
DAVID
SUTTON
BOB COOK
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Frame #41 | ![]() |
DAVID
SUTTON
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Frame #42 | ![]() |
BOB
COOK DAVID
SUTTON BOB
COOK
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Frame #43 | ![]() |
DAVID
SUTTON Bob cook quickly runs into his office and starts to look for the number. CUT TO:
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Frame #44 | ![]() |
INT. GARAGE OFFICE - EVENING We see Bob frantically going threw his draws one by one to find the number. After twenty seconds he finds a business card and picks it up. He then quickly shuts the draw and runs out of the office. CUT TO: |
Frame #45 | ![]() |
INT. GARAGE - EVENING Bob approaches David and hands him the business card with his right hand. BOB
COOK David Sutton takes the business card and looks at it carefully.
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Frame #46 | ![]() |
BOB
COOK
|
Frame #47 | ![]() |
DAVID
SUTTON
BOB
COOK
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Frame #48 | ![]() |
They both shake hands and then David Sutton jumps into the black Suzuki swift car and drives it out of the garage. DISSOLVE TO:
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Frame #49 | ![]() |
INT. CAR - EVENING David Sutton is sitting down in the drivers seat driving the car when he hears a mobile phone going off somewhere in the car. He parks up the car to the side of the pavement and starts looking around. He searches underneath the seat and finds it still ringing. He pauses for a second and then answers it not saying a word, just listening. TELEPHONE
VOICE David Sutton hangs up the mobile phone and smiles to himself, shaking his head up and down slowly. FADE OUT: |
Frame #50 | ![]() |
FADE IN: INT. BOOT OF CAR - EVENING Everything is silent and dark, then all of a sudden we see the boot door open from inside the car. David Sutton is looking in a downward position shacking his head from right to left slowly. CUT TO:
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Frame #51 | ![]() |
EXT. BACK STREET - EVENING David Sutton is standing over the boot of the car with the boot door wide open. He reaches into his waist and slowly starts to take out something which we can't see because he has his back to the camera. FADE TO BLACK:
THE END
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